What better way to spend the "blizzard of '09" then watching some movies I'd taped off TCM.
The Painted Veil - I thought this one would be an automic win, what with Garbo and all, but I'm rather lukewarm about it. I'm so attached to the Somerset Maugham novel that this adaptation disappointed me. I understand they need to make Garbo the heroine, but I think that could have been done without straying so very far from the novel. In its place I would recommend the 2006 version with Naomi Watts, Edward Norton, and Liev Schrieber.
Her Cardboard Lover - This movie gets a bad rap, and is often cited as the reason Norma Shearer retired from movies, but I loved it. Granted, she does go over the top a bit with all the "darling Tony!" stuff, but I kind of expect that from her. Robert Taylor was abolutely delightful with the silly bits and one liners. And who better to play the cad than George Sanders? Character actor bonus: Frank McHugh (whose character was named Chappie Champagne, how can you not love that?).
I Am a Fugitive From a Chain Gang - I'd taped this months ago, when Alec Baldwin was guest hosting The Essentials. (Suggestion to Robert Osbourne: maybe next time let the guest host get a few words in edgewise?) Finally got around to watching it, and promptly went and bought the DVD from Amazon when the movie was over. EGAD. Paul Muni is brilliant, and Alec Baldwin was so right to advise the viewer to make sure and stay for the final scene (which happened the way it does by accident; I love those kind of stories). The plot is very like "The Roaring Twenties," one of my favorite Cagney movies.
Next Up: Bedlam (Karloff runs the infamous insane asylum!), Never Say Goodbye, 84 Charing Cross Road, and Girl 27 (you can read that [horrifying and true] story here.)
"I don't take the movies seriously, and anyone who does is in for a headache." -Bette Davis
Showing posts with label TCM. Show all posts
Showing posts with label TCM. Show all posts
Saturday, December 19, 2009
Sunday, June 07, 2009
Squeeeeeeeeeeee!
I happened to be watching TCM today (it's Michael Curtiz today, which translates, for me, into Errol Flynn day) and they ran an ad for their new Warners Archive Collection. Lots of new movies never before on DVD, they promised! And I have to say, Ted Turner has delivered. Some of my favorite movies are now on DVD, so I scooped up a bunch: Idiot's Delight, Laughing Sinners, Dance Fools Dance, Possessed, Chained, and Forsaking All Others. There's a couple others I have my eye on, but I tried to restrain myself. ;) Maybe when I win the lottery.
Saturday, January 24, 2009
Snuggly blankets and hot chocolate in front of a cozy fire
That's what the Andy Hardy movies are to me. When TCM shows them, they usually do a chunk of them in a row in one day. I think I've seen most of them now, the most recent block being shown over Christmas, which was the perfect time for them, what with the gooey family feelings and all.
They are, of course, a completely unrealistic picture of family life -- even more so now than when they were made. And yet, I love them, and watching them is so relaxing. For one thing, you always know what to expect -- Andy falls for girl, gets in some kind of (totally harmless) trouble, has man-to-man talk with Dad -- and yet the details of the story are different each time, so there's a combination of old and new which keeps my interest.
Even as the feminist in me kind of recoils from Mother Hardy's obvious belief that she's just a mere woman who can't even balance her checkbook, there is something comforting in watching her fuss over the children or bustle around in the kitchen -- and what dinners she makes! And the men always come to the table in coats and ties! It's hard to believe that people actually lived that way, although my dad tells stories of the days when men walked the boardwalk at the Jersey shores in coats and ties and hats, the women in dresses and pantyhose and gloves. There is a style about it (and classic films in general, from the manners to the decor) that seems so quaint today, but it's a style I enjoy.
My current box set dream is an Andy Hardy box set...and my birthday is next month, Ted Turner! Hear my cries! For your benefit, here's a list of the films (and in checking IMDB to create the list, I notice Mickey Rooney currently has 323 movies to his name...wow!):
They are, of course, a completely unrealistic picture of family life -- even more so now than when they were made. And yet, I love them, and watching them is so relaxing. For one thing, you always know what to expect -- Andy falls for girl, gets in some kind of (totally harmless) trouble, has man-to-man talk with Dad -- and yet the details of the story are different each time, so there's a combination of old and new which keeps my interest.
Even as the feminist in me kind of recoils from Mother Hardy's obvious belief that she's just a mere woman who can't even balance her checkbook, there is something comforting in watching her fuss over the children or bustle around in the kitchen -- and what dinners she makes! And the men always come to the table in coats and ties! It's hard to believe that people actually lived that way, although my dad tells stories of the days when men walked the boardwalk at the Jersey shores in coats and ties and hats, the women in dresses and pantyhose and gloves. There is a style about it (and classic films in general, from the manners to the decor) that seems so quaint today, but it's a style I enjoy.
My current box set dream is an Andy Hardy box set...and my birthday is next month, Ted Turner! Hear my cries! For your benefit, here's a list of the films (and in checking IMDB to create the list, I notice Mickey Rooney currently has 323 movies to his name...wow!):
- A Family Affair (Lionel Barrymore was the original Judge Hardy, but I like Lewis Stone much better)
- You're Only Young Once
- Judge Hardy's Children
- Love Finds Andy Hardy
- Out West with the Hardys
- The Hardys Ride High
- Andy Hardy Gets Spring Fever
- Judge Hardy and Son
- Andy Hardy Meets Debutante
- Andy Hardy's Private Secretary
- Life Begins for Andy Hardy
- The Courtship of Andy Hardy
- Andy Hardy's Double Life
- Andy Hardy's Blonde Trouble
- Love Laughs at Andy Hardy
- Andy Hardy Comes Home
Hmm. Maybe I haven't seen most of them after all.
Monday, October 13, 2008
Ah, bio pics!
How I love a good one from the 1930s. And there were so many interesting ones back then. Who cares if they played a little (okay, a lot) loose with the facts? If I want facts, I'll read a book! ;) When I watch a movie, I want to be entertained. And I certainly was by the movie I saw today, a bio pic of Florence Nightingale called The White Angel.
Robert Osbourne felt it necessary in one of his introductions to point out that Kay was known as "the Wavishing Kay Fwancis" around the studio due to her speech impediment. To be honest, I didn't notice it until he pointed out (introducing Mandalay), and then during that film all I could do was listen for it. I didn't think it was as bad as he makes it out, although it's definitely there. However, during The White Angel, I never once thought about it, in main part due to the great story and Kay's acting. I thought the story was well told without being overbearing, as old movies can sometimes be.
Last month was Kay Francis month on TCM, and as a result I've been watching a lot of her movies lately. I think I've found my new favorite pre-Code actress (formerly Barbara Stanwyck); I think Kay's films from the early 30s are some of the best examples of pre-Code. She's a doctor! In more than one movie! You didn't see that very often. Of course she's also lovely to look at and dressed beautifully, but I enjoyed her performances for more than that. I'll be doing a few more entries on her in the near future, I think. Her other films I've seen lately include:
Dr. Monica
Mary Stevens, M.D.
Jewel Robbery (with William Powell, yay!)
Confession
Another Dawn (with Errol Flynn, yum)
Guilty Hands
Mandalay
Do I see another box set request on the horizon? I think I do, Ted Turner! (You can leave out Guilty Hands, though. That was kind of meh. Lionel Barrymore sure can chew some scenery, though.)
Robert Osbourne felt it necessary in one of his introductions to point out that Kay was known as "the Wavishing Kay Fwancis" around the studio due to her speech impediment. To be honest, I didn't notice it until he pointed out (introducing Mandalay), and then during that film all I could do was listen for it. I didn't think it was as bad as he makes it out, although it's definitely there. However, during The White Angel, I never once thought about it, in main part due to the great story and Kay's acting. I thought the story was well told without being overbearing, as old movies can sometimes be.
Last month was Kay Francis month on TCM, and as a result I've been watching a lot of her movies lately. I think I've found my new favorite pre-Code actress (formerly Barbara Stanwyck); I think Kay's films from the early 30s are some of the best examples of pre-Code. She's a doctor! In more than one movie! You didn't see that very often. Of course she's also lovely to look at and dressed beautifully, but I enjoyed her performances for more than that. I'll be doing a few more entries on her in the near future, I think. Her other films I've seen lately include:
Dr. Monica
Mary Stevens, M.D.
Jewel Robbery (with William Powell, yay!)
Confession
Another Dawn (with Errol Flynn, yum)
Guilty Hands
Mandalay
Do I see another box set request on the horizon? I think I do, Ted Turner! (You can leave out Guilty Hands, though. That was kind of meh. Lionel Barrymore sure can chew some scenery, though.)
Labels:
bio pics,
Errol Flynn,
Kay Francis,
Pre-Code,
TCM,
William Powell
Wednesday, August 27, 2008
Dr. Clitterhouse, you ARE amazing!
Today I would like to speak of my current classic movie boyfriend, Edward G. Robinson. Between TCM's Eddie G. day on "Summer Under the Stars" and a DVD or two, it has been a regular Ed-fest around here.
Last night I watched The Amazing Dr. Clitterhouse. Having watched Little Caesar on Sunday, it was naturally quite a contrast to see Robinson as a character who is intelligent, urbane, cultured, kindly, and has a gentle speaking voice. From what I've read about him, this seems like a role that would be fairly close to his real life (well, except for one thing, which I'm not going to specify because it would spoil the ending). It was a treat to see him in this role after all the "Meh, see?" squealing of LC. Although that also has its place, and I love him in those roles, too.
The movie had my attention from the start; I thought I understood the premise from the summary on my cable recording, but it took me awhile to be sure one way or the other. I love a movie that keeps me guessing like that, and has a few tricky turns on the way to the ending (one plot point in particular had me very surprised). To me, this is one of the most satisfying kinds of movie viewing experiences.
The roles of the gang members and police were filled by some familiar and well-loved character actors (Ward Bond, Allen Jenkins, Donald Crisp, Maxie Rosenbloom), which always adds more to a movie for me. As corny as it sounds, it's like running into old friends to see them listed in the opening credits. You know they're going to give a solid performance, no matter what the role. I enjoyed the interactions between the gang members and Dr. Clitterhouse; I found the respect they had for their "professor" rather touching.
The movie is being released on October 21 as part of the Warner Gangsters Collection, Vol. 4, and it's already on my Amazon wish list.
Next up on the discussion list: Confessions of a Nazi Spy.
Last night I watched The Amazing Dr. Clitterhouse. Having watched Little Caesar on Sunday, it was naturally quite a contrast to see Robinson as a character who is intelligent, urbane, cultured, kindly, and has a gentle speaking voice. From what I've read about him, this seems like a role that would be fairly close to his real life (well, except for one thing, which I'm not going to specify because it would spoil the ending). It was a treat to see him in this role after all the "Meh, see?" squealing of LC. Although that also has its place, and I love him in those roles, too.
The movie had my attention from the start; I thought I understood the premise from the summary on my cable recording, but it took me awhile to be sure one way or the other. I love a movie that keeps me guessing like that, and has a few tricky turns on the way to the ending (one plot point in particular had me very surprised). To me, this is one of the most satisfying kinds of movie viewing experiences.
The roles of the gang members and police were filled by some familiar and well-loved character actors (Ward Bond, Allen Jenkins, Donald Crisp, Maxie Rosenbloom), which always adds more to a movie for me. As corny as it sounds, it's like running into old friends to see them listed in the opening credits. You know they're going to give a solid performance, no matter what the role. I enjoyed the interactions between the gang members and Dr. Clitterhouse; I found the respect they had for their "professor" rather touching.
The movie is being released on October 21 as part of the Warner Gangsters Collection, Vol. 4, and it's already on my Amazon wish list.
Next up on the discussion list: Confessions of a Nazi Spy.
Monday, August 04, 2008
They Met In Bombay
July was Roz Russell month on TCM, so I have a boatload of her movies saved on my DVR. Last week I watched They Met in Bombay, which starred Clark Gable in the kind of role I think he does best: the guy whom the girl thinks she hates but is really falling in love with, and he knows it. From almost any other actor, I think I might find that "yeah, baby, you know you love me" attitude annoying, but Gable pulls it off with a sideways glance and crooked grin that I love. Sort of like this, except imagine him looking down at a dame. (Can't get the image to upload, so just a link for now.)
He and Roz are competing jewel thieves who end up escaping from the law together, falling in love, and going straight. Much like the Gable/Harlow movie Hold Your Man, the beginning starts out all snazzy wisecracks and ends up kind of mushy. Roz's doe eyes couldn't have gotten any more limpid or starry, and she did lose a lot of the pizzaz that I usually love her for. I thought some interest was added to the "Gable becomes a hero" part of the story by including Roz in his adventures as a fake Winnipeg Grenadier escaping from the Japanese army; usually the women get left at home during these kinds of escapades.
Included in the cast was one of my favorite character actors, Jessie Ralph, as the raucous and tipsy Duchess of Beltravers. She is a scream in these kind of "fiesty matron" parts; she plays another duchess in The Last of Mrs. Cheyney, which is another role of hers I like. My all time favorite, though, is Jessie as Aunt Katherine ("Nic-oh-las!") in After the Thin Man.
While this movie could easily fall into a "romantic caper" pigeonhole along with dozens of other movies, I would still recommend it.
On a totally unrelated note, IMDB has just informed me that they're remaking The Day The Earth Stood Still. (Keanu Reeves? Really?) Must they remake every classic movie just to jazz it up with CGI and rock music?
He and Roz are competing jewel thieves who end up escaping from the law together, falling in love, and going straight. Much like the Gable/Harlow movie Hold Your Man, the beginning starts out all snazzy wisecracks and ends up kind of mushy. Roz's doe eyes couldn't have gotten any more limpid or starry, and she did lose a lot of the pizzaz that I usually love her for. I thought some interest was added to the "Gable becomes a hero" part of the story by including Roz in his adventures as a fake Winnipeg Grenadier escaping from the Japanese army; usually the women get left at home during these kinds of escapades.
Included in the cast was one of my favorite character actors, Jessie Ralph, as the raucous and tipsy Duchess of Beltravers. She is a scream in these kind of "fiesty matron" parts; she plays another duchess in The Last of Mrs. Cheyney, which is another role of hers I like. My all time favorite, though, is Jessie as Aunt Katherine ("Nic-oh-las!") in After the Thin Man.
While this movie could easily fall into a "romantic caper" pigeonhole along with dozens of other movies, I would still recommend it.
On a totally unrelated note, IMDB has just informed me that they're remaking The Day The Earth Stood Still. (Keanu Reeves? Really?) Must they remake every classic movie just to jazz it up with CGI and rock music?
Labels:
Character actors,
Clark Gable,
remakes,
Rosalind Russell,
TCM
Friday, August 01, 2008
Canteen, get your canteen right here
Nothing like a nasty head cold to give you time to catch up on a movie or two. This week on TCM I happened to catch Hollywood Canteen, the movie I really wanted to see when I rented Stage Door Canteen from Netflix. I saw SDC last year, and looking at the cast on Netflix (Katharine Hepburn, Tallulah Bankhead, Ray Bolger, and Ethel Merman, among others) I can't say I really remember any of them from the film. It kind of made a non-impression on me, probably in part because I was expecting it to be another movie entirely. But the main plot was three soldiers meet three girls, and I suspect the reason why all the famous faces didn't stick in my memory is because they had very little screen time.
HC, by comparison, was a treat. The cast includes almost all of the Warner Bros. stars, with the "notable exceptions" (says Robert Osbourne) of Errol Flynn and Ann Sheridan (and, I note, James Cagney). Ann was offered the lead (played by Joan Leslie) but refused it, because she didn't want any part of a movie that would make a GI think he could come to the canteen and marry a movie star. I guess I see your point, Ann, but come on, do you really think many people would actually believe that? It's for the war effort! Well, Joan did a nice job, and I think she is a better match for Robert Hutton as Cpl. "Slim" Green. Joan has that girl-next-door quality, and Ann I would consider more of a siren, so in this case I think Joan works better in the role. (Although Ann can be quite a good ingenue, as evidenced by her performance in Angels With Dirty Faces. But I tend to think of her more like this.)
The story is based on the actual Hollywood Canteen, founded by Bette Davis, although I don't know if it was actually filmed on location. It was made during the war, so I guess it's possible. During the film John Garfield, another founder, gives a speech about the origins of the canteen, which you can read about at the link above.
(Side note: I was horrified to learn that something called the Hollywood Canteen was reopened in 2001, and "caters to some of Hollywood's biggest names including: Paris Hilton, Marilyn Manson, Keith Jardine, Vince Vaughn, and Lindsay Lohan to name a few." Oh, vomit. Where do I start? If you're going to call it a canteen, then it should be free for service members, like the original was. Oh, wait: Wikipedia tells me that a canteen doesn't necessarily refer to a military eating place, but is rather a type of food service location in which there is little or no table service, whether a restaurant or within an institution such as a large office building or school. Point taken. But still. There's a lot of history behind that name. That sound you hear is Bette Davis spinning in her grave.)
The list of movie stars who volunteered their time to the original canteen is lengthy and impressive. I doubt very much you would see many of today's "stars" (and I use that term loosely) doing anything like this. But maybe that's just cynical me.
(Somewhat related aside: I admire Kathy Griffin for going to Iraq with the USO to entertain the troops, and I love it when she uses that fact to shame loudmouths like Bill Maher who bust on her: "I recently got back from Iraq, when are you going?")
Anyhow, the movie. While the romance between Slim and Joan Leslie is rather hokey, it's still cute and not overplayed. The stars who appeared in the film seem very natural, and you see them not just performing (Andrews Sisters, etc.), but waiting tables (Jack Carson) and washing dishes (Paul Henreid). From the little I've read on the canteen, it seems they really did get out there and mingle with the troops quite a bit. (Another aside for a funny story: a soldier at the canteen bet his friend $5 he couldn't get a kiss from Bette Davis. Bette kissed the soldier when he asked and gave him $5 to pay the bet. Then she gave the other soldier $10 and said, "thanks for believing in my virtue." Heh.)
One of my favorite moments from the film is when Dane Cook, as Sgt. Nowland, is dancing with a woman and says to her, "Has anyone ever told you you look just like Joan Crawford?" The couple pans around as they dance..."By the way, I am Joan Crawford," Joan Crawford says. Another funny moment was the bit with Sidney Greenstreet and Peter Lorre.
[after unintentionally scaring away a marine sergeant]
Peter Lorre: [sadly] All I wanted to ask him is to join me in a cigarette!
Sydney Greenstreet: He didn't trust us, Peter.
Peter Lorre: No... and we are such gentle people!
Sydney Greenstreet: Are we? [bugs eyes out in menacing manner]
(<-- as close as I could get)
Peter Lorre: [Backs away, frightened]
Overall, this movie was a combination of several thing I love to see in a classic film: behind the scenes glimpses of Hollywood, a ton of stars and character actors, a morale boosting WWII movie, and a good portrayal of the times. I would definitely recommend this one.
HC, by comparison, was a treat. The cast includes almost all of the Warner Bros. stars, with the "notable exceptions" (says Robert Osbourne) of Errol Flynn and Ann Sheridan (and, I note, James Cagney). Ann was offered the lead (played by Joan Leslie) but refused it, because she didn't want any part of a movie that would make a GI think he could come to the canteen and marry a movie star. I guess I see your point, Ann, but come on, do you really think many people would actually believe that? It's for the war effort! Well, Joan did a nice job, and I think she is a better match for Robert Hutton as Cpl. "Slim" Green. Joan has that girl-next-door quality, and Ann I would consider more of a siren, so in this case I think Joan works better in the role. (Although Ann can be quite a good ingenue, as evidenced by her performance in Angels With Dirty Faces. But I tend to think of her more like this.)
The story is based on the actual Hollywood Canteen, founded by Bette Davis, although I don't know if it was actually filmed on location. It was made during the war, so I guess it's possible. During the film John Garfield, another founder, gives a speech about the origins of the canteen, which you can read about at the link above.
(Side note: I was horrified to learn that something called the Hollywood Canteen was reopened in 2001, and "caters to some of Hollywood's biggest names including: Paris Hilton, Marilyn Manson, Keith Jardine, Vince Vaughn, and Lindsay Lohan to name a few." Oh, vomit. Where do I start? If you're going to call it a canteen, then it should be free for service members, like the original was. Oh, wait: Wikipedia tells me that a canteen doesn't necessarily refer to a military eating place, but is rather a type of food service location in which there is little or no table service, whether a restaurant or within an institution such as a large office building or school. Point taken. But still. There's a lot of history behind that name. That sound you hear is Bette Davis spinning in her grave.)
The list of movie stars who volunteered their time to the original canteen is lengthy and impressive. I doubt very much you would see many of today's "stars" (and I use that term loosely) doing anything like this. But maybe that's just cynical me.
(Somewhat related aside: I admire Kathy Griffin for going to Iraq with the USO to entertain the troops, and I love it when she uses that fact to shame loudmouths like Bill Maher who bust on her: "I recently got back from Iraq, when are you going?")
Anyhow, the movie. While the romance between Slim and Joan Leslie is rather hokey, it's still cute and not overplayed. The stars who appeared in the film seem very natural, and you see them not just performing (Andrews Sisters, etc.), but waiting tables (Jack Carson) and washing dishes (Paul Henreid). From the little I've read on the canteen, it seems they really did get out there and mingle with the troops quite a bit. (Another aside for a funny story: a soldier at the canteen bet his friend $5 he couldn't get a kiss from Bette Davis. Bette kissed the soldier when he asked and gave him $5 to pay the bet. Then she gave the other soldier $10 and said, "thanks for believing in my virtue." Heh.)
One of my favorite moments from the film is when Dane Cook, as Sgt. Nowland, is dancing with a woman and says to her, "Has anyone ever told you you look just like Joan Crawford?" The couple pans around as they dance..."By the way, I am Joan Crawford," Joan Crawford says. Another funny moment was the bit with Sidney Greenstreet and Peter Lorre.
[after unintentionally scaring away a marine sergeant]
Peter Lorre: [sadly] All I wanted to ask him is to join me in a cigarette!
Sydney Greenstreet: He didn't trust us, Peter.
Peter Lorre: No... and we are such gentle people!
Sydney Greenstreet: Are we? [bugs eyes out in menacing manner]
Peter Lorre: [Backs away, frightened]
Overall, this movie was a combination of several thing I love to see in a classic film: behind the scenes glimpses of Hollywood, a ton of stars and character actors, a morale boosting WWII movie, and a good portrayal of the times. I would definitely recommend this one.
Labels:
Bette Davis,
Character actors,
Joan Crawford,
TCM,
war movies,
Warner Bros.
Wednesday, April 30, 2008
The funniest movie I'd never heard of
Robert Osbourne said it in the introduction, so it must be true: this is a great screwball comedy, written by Billy Wilder, that often gets overlooked. Well, as it turns out, I agree with him. I'd taped it last week and got to watch it this afternoon. I wasn't familiar with the movie at all before, but I'm sure glad I am now.
I'll crib a plot summary from IMDB: Showgirl Eve [Claudette Colbert], stranded in Paris without a sou, befriends taxi driver Tibor Czerny [Don Ameche], then gives him the slip to crash a party. There she meets Helene Flammarion [Mary Astor] and her gigolo Picot, who's attracted to Eve. Helene's scheming husband Georges [John Barrymore] enlists Eve's aid in taking Picot away from his wife. It works well... at first. Meanwhile, lovestruck Tibor searches for Eve. But then he learns she's calling herself Baroness Czerny!
You could say this is a typical 30's "mistaken identity" comedy, and you'd be mostly right. I have to say, though, some of the plot twists were rather clever. Just when you think Claudette Colbert is going to be found out, she or John Barrymore come up with some spur of the moment story to save their skins. Quite creative stories, too. Barrymore is a delight, especially in the scene where he's portraying Eve's imaginary daughter Francie on the phone: "Dada? Is that you?" If you see it on the TCM schedule again, check it out (or you can, as Robert helpfully pointed out, buy it on DVD).
I'll crib a plot summary from IMDB: Showgirl Eve [Claudette Colbert], stranded in Paris without a sou, befriends taxi driver Tibor Czerny [Don Ameche], then gives him the slip to crash a party. There she meets Helene Flammarion [Mary Astor] and her gigolo Picot, who's attracted to Eve. Helene's scheming husband Georges [John Barrymore] enlists Eve's aid in taking Picot away from his wife. It works well... at first. Meanwhile, lovestruck Tibor searches for Eve. But then he learns she's calling herself Baroness Czerny!
You could say this is a typical 30's "mistaken identity" comedy, and you'd be mostly right. I have to say, though, some of the plot twists were rather clever. Just when you think Claudette Colbert is going to be found out, she or John Barrymore come up with some spur of the moment story to save their skins. Quite creative stories, too. Barrymore is a delight, especially in the scene where he's portraying Eve's imaginary daughter Francie on the phone: "Dada? Is that you?" If you see it on the TCM schedule again, check it out (or you can, as Robert helpfully pointed out, buy it on DVD).
Saturday, April 19, 2008
Inside jokes are hilarious

Today I rewatched an old favorite, "It's a Great Feeling," with Jack Carson, Doris Day, and Dennis Morgan. I love this film in part because it's one huge inside joke; Doris Day is a young girl from Gurkey's Corners, Wisconsin who's in Hollywood to become a movie star, and she's discovered by Morgan and Carson, who play themselves. As do a host of other Warner Bros. stars, such as Edward G. Robinson, Joan Crawford (whose scene I just adore, it's so funny), Gary Cooper ("Yep"), Sydney Greenstreet, Danny Kaye, Patricia Neal, Ronald Reagan, Jane Wyman (and daughter Maureen Reagan), and directors Michael Curtiz (who famously said, "Bring on the empty horses!" the title of David Niven's autobiography), King Vidor, and Raoul Walsh. The running joke is that no one at Warners' wants to work with Jack Carson because he's "such a ham." Which he sometimes was, but I love him for it. He was so great in "Mildred Pierce." I love his line, "Oh, boy, I'm so smart it's a disease."
Doris Day goes through various adventures trying (with help from Jack and Dennis) to win the attention of studio head Arthur Trent. In the end (and I have to spoil the ending because it is so damn cute) she winds up going home to Wisconsin to marry her fiance, Jeffrey Bushdinkle, played in a wee little cameo by...Errol Flynn. I fall out laughing every time I see that. The movie overall is really funny, and I highly recommend it, if you should happen to come across it on TCM.
Doris Day goes through various adventures trying (with help from Jack and Dennis) to win the attention of studio head Arthur Trent. In the end (and I have to spoil the ending because it is so damn cute) she winds up going home to Wisconsin to marry her fiance, Jeffrey Bushdinkle, played in a wee little cameo by...Errol Flynn. I fall out laughing every time I see that. The movie overall is really funny, and I highly recommend it, if you should happen to come across it on TCM.
Tuesday, July 31, 2007
Go vote! Now, right now! Now!
Turner Classic Movies does an ongoing poll of the most requested classic movies not currently on DVD. Go vote for your favorites now. Way to go, Ted Turner. This is an awesome idea.
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